This is serious advice for serious writers—to kill our darlings. Sounds brutal, no? Well, actually, what it means is that sometimes we come up with great material, but, in the context of the whole piece of work, say a short story or novel, this terrific piece of writing does not work to create a vivid continuous dream that the reader can resonate with. It hurts to do this, yes, that particular piece may have been celestially inspired, but sorry, it ruins the whole and therefore, once we have stepped from our opus and decided that it sticks out like a sore thumb or ruins the thread of the plot, we must be willing to commit word murder. A sacrifice of the brilliant part to the cosmic whole.
Fortunately today we have computers—I often marvel at what great writers in the past did. Imagine writing War & Peace with ink and…
View original post 603 more words